The Beach Boys - 50.Jubiläumsthread

Und nochmal zur Erinnerung, heute um 20 Uhr ein Radiospecial mit Frank Laufenberg mit dem Schwerpunkt "The Beach Boys".
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Ich war nicht zu hause und konnte es nicht hören. Wie war es denn?

Ich war nicht zu hause und konnte es nicht hören. Wie war es denn?

Ich hab auch nur kurz reingehört. Es war an sich recht gut und abwechslungsreich. Lieder anderer Künstler wurden passend reingebracht. Natürlich gabs die Art von Fehler, die nur Fans auffallen würden und es wurde ein wenig zu sehr auf Brian Wilson's "Auto"biografie verwiesen, aber es kommt ja auf die Musik an....


Und um die Smile-Gerüchteküche anzuheizen:


<a href=' www.clashmusic.com/news/van-dyke-parks-one-off-show ' target='_blank'> www.clashmusic.com/news/van-dyke-parks-one-off-show



Posted by Robin Murray Mon, 07/03/2011

American composer Van Dyke Parks has announced a one off show in London.

Perhaps best known for his collaborations with Brian Wilson, Van Dyke Parks is one of America's most unique composers. Strongly entrenched within a songwriting tradition, his work nonetheless pushes back the boundaries of where the tradition lies.

Famously assisting Brian Wilson on the Beach Boys' doomed 'Smile' album, Van Dyke Parks has gone on to have a long and varied career. Announcing details of a new project, the composer has followed this by confirming details of a one off London show.

Van Dyke Parks is set to perform in London on May 16th. The special show is set to be held inside Islington's Union Chapel, with the composer drawing on the full force of his lengthy career.

Aside from work with Brian Wilson, Van Dyke Parks has also teamed up with Joanna Newsom, Ry Cooder and more. Now the composer intends to burst back into action, after launching a plan to release five singles.

Each release will be a collaboration, with Van Dyke Parks sharing the single with a respected artist. Amongst the confirmed visual artists for the project is Frank Holmes, who produced the unused sleeve for 'Smile' back in 1966.

Elsewhere, Charles Ray is due to work on the project while Pulitzer Prize-winning artist/ author Art Spiegelman will follow his life affirming 'Maus' series with a Van Dyke Parks collaboration.

The list also includes appearances from Billy Edd Wheeler, Ed Ruscha and Van Dyke Parks wife, Sally Parks.

The first single to be released from the series is set to be titled 'Dreaming Of Paris' with Ed Ruscha providing the illustration. “They are from highly different genres, each of them. They don't cohere. They belong somewhere" explained the composer. "But the emphasis on the visual art is a big, big deal. These are the pre-eminent American artists of our time. We’re calling it Nouveau Niche.”

Van Dyke Parks is set to play the following show:

May
16 London Islington Union Chapel

Wow :sick0013:



<a href=' www.billboard.com/news/beach-boys-lost-s...ase-1005070202.story ' target='_blank'>Billboard - Smile



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It's an event that pop music fans have been waiting for since the Summer of Love: Capitol Records is planning to release the Beach Boys' great lost album, "Smile," later this year.



Two longtime Beach Boys associates -- engineer Mark Linett and archivist Alan Boyd -- are co-producing the release, which Capitol has titled "The Smile Sessions."



The project will be released in three versions: a two-CD set, an iTunes LP digital album and a limited-edition boxed set containing four CDs, two vinyl LPs, two vinyl singles and a 60-page hardbound book written by Beach Boys historian Dominic Priore.



"The Smile Sessions" is being released with the support of the band, including Beach Boys mastermind Brian Wilson. Wilson wasn't immediately available for an interview but he expressed his excitement about the release in a statement released through Capitol.



"I'm thrilled that the Beach Boys' original studio sessions for 'Smile' will be released for the first time, after all these years," Wilson said. "I'm looking forward to this collection of the original recordings and having fans hear the beautiful angelic voices of the boys in a proper studio release."







"The Smile Sessions" doesn't yet have a specific release date, with Capitol saying only that it will arrive later this year. That will inevitably spark skepticism among long-suffering fans who've had their hopes dashed before. When Warner Bros. Records signed the Beach Boys to a record deal in 1970, part of the label's interest in the group was rooted in its hopes of releasing "Smile." Linett, who has engineered Beach Boys reissues for more than two decades, recalls going through the "Smile" tapes as early as 1988. And in 1995, Capitol told Billboard that it was preparing to release a three-CD compilation tentatively titled "The Smile Era" for release in August of that year. But that set never saw the light of day.



"The major thing in the past, I don't think we had support from all the band, and now we do," says Bill Gagnon, GM/senior VP of catalog marketing at EMI Music North America. "All parties are supporting it coming out. Everybody is onboard now."



Also backing the project are the related rights-holders. Capitol owns "The Smile Sessions" master recordings, with publishing rights controlled by Universal Music Group's Rondor Music, the Beach Boys' own Brother Records and, depending on which tracks are included on the final release, Wilson himself.



Since "Smile" was never completed, what exactly will be issued? Linett says the goal is to present "the whole piece as close to as it was envisioned, or as is envisioned, as possible . . . and obviously with input from Brian and from everybody else."



Linett is a better judge than most, having recorded and mixed the critically acclaimed 2004 version of "Smile" that Wilson recorded with his road band for Nonesuch.



Although a track listing hasn't been finalized, Linett says he expects that an approximation of the original "Smile" album will occupy one CD or three sides of vinyl, with session outtakes and studio chatter occupying the rest of each version of the release.



"When you say 'album,' it presupposes everything was recorded and finished, and that's not the case," he says. "We have gaps where we are missing some vocal parts. But all the music was recorded, which is heartening." All of the vocals were recorded by the Beach Boys, usually at the same time around the same mic, including the lead vocal, Linett says. The music was mostly played by the Wrecking Crew, the legendary group of Los Angeles session musicians that played on numerous Beach Boys hits, although some "Smile" tracks feature Carl Wilson on guitar and Dennis Wilson on drums, Linett says.



Linett says Wilson's 2004 "Smile" album has served as a blueprint for the current project, which will be mixed in mono because that's how Wilson‹who's deaf in his right ear‹intended it. But Linett adds that other selections from the 30 hours of "Smile" session recordings will more than likely be issued in stereo.



"Some of these questions are hard to answer because not only haven't we assembled them yet, this has to be played for Brian and the other members of the group to see what kind of input they have," he says. "Just because Brian did it the way he did it in 2004 [doesn't mean] he won't say, 'Well, let's add "You're Welcome," ' which was the B-side on the 'Heroes and Villians' single."



"The main thing I am getting from everybody, after waiting 40 years to have it officially released, is, 'We want to make sure it is right,' " Linett says.



But is there any doubt surrounding the project this time around? "No," Gagnon says. "It's coming out."

Und weils so schön is:

<a href=' www.rollingstone.com/music/news/beach-bo...e-this-year-20110311 ' target='_blank'>Rolling Stone





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By Matthew Perpetua
March 11, 2011 11:50 AM ET

Capitol Records have announced that they will be releasing the Beach Boys' lost, incomplete album Smile later this year. Smile was originally planned as the follow-up to the band's 1966 classic Pet Sounds, but the material was mostly abandoned due to creative mastermind Brian Wilson's fragile mental health at the time.


Though no release date has been set, the official release of Smile will be sold as a two-CD set and as a deluxe box set including four CDs, two vinyl LPs, two vinyl singles and a 60-page hardbound book penned by Beach Boys historian Dominic Priore. The final track listing has not been announced, but disc one of the CD set and the first three sides of the vinyl edition will contain a close approximation of the Smile album, with the remainder collecting outtakes and alternate versions from the sessions.


The Smile sessions have been widely bootlegged among fans for decades, but the proper track listing for the album has never been established, largely due to the fact that the record was never completed as intended. According to engineer Mark Linett, Brian Wilson's 2004 version of Smile has been used as the template for this project, though it could turn out a bit different depending on input from Wilson and the surviving members of the group.

<a href=' pitchfork.com/news/41856-the-beach-boys-...se-ismilei-sessions/ ' target='_blank'>Pitchfork


Auf der Seite kann man sich "Good vibrations" anhören.


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The Beach Boys' Smile is quite possibly the most storied lost album in rock history. The album was stalled in 1967 by sonic mastermind Brian Wilson's nervous breakdown, and its songs were heavily bootlegged in the ensuing decades. Wilson released a much-loved, reworked solo version in 2004, but all sorts of issues with record labels and band members prevented the official release of the original Smile. But now, Billboard reports that Capitol is finally planning to release The Smile Sessions later this year.

According to Billboard, Mark Linett, who recorded and mixed Wilson's 2004 Smile, and archivist Alan Boyd are co-producing the release, which will be available as a download, a double-CD set, and a box featuring four CDs, two vinyl LPs, two vinyl singles, and a book by Beach Boys historian Domenic Priore.

Although no release date has been set yet, and previous plans throughout the decades to release Smile have fallen through, EMI exec Bill Gagnon assures Billboard that "it's coming out," saying that all of the band members and associated parties have given their support.

Linett and Boyd are working to construct a version of Smile that's as close as possible to Brian Wilson's original vision, with the album proper taking up one CD or three sides of vinyl, and outtakes claiming the rest of the space. In a statement given to Billboard, Wilson says, "I'm thrilled that the Beach Boys' original studio sessions for Smile will be released for the first time, after all these years. I'm looking forward to this collection of the original recordings and having fans hear the beautiful angelic voices of the boys in a proper studio release."

Below, listen to the Smile-era single "Good Vibrations".

<a href=' www.examiner.com/beach-boys-in-national/...-release-this-summer ' target='_blank'>Examiner.com



It was announced today at Billboard.com that Capitol Records is indeed releasing a SMiLE sessions box set that will include original Beach Boys sessions in three versions: a two-CD set, an iTunes LP digital album and a limited-edition boxed set containing four CDs, two vinyl LPs, two vinyl singles and a 60-page hardbound book written by Beach Boys historian Domenic Priore. Engineer Mark Linett and archivist Alan Boyd are co-producing the release, which Capitol has titled "The Smile Sessions."

Of the music Mike Love has said, “I like the avant-garde approach and stretching the limits the way Brian (Wilson) did. It went beyond conventional music at the time, and I kind of thought that was pretty cool. “ When Al Jardine was asked if he thought it was significant music he said, “Oh God, yeah. It reminded me of all the great painters when they painted from the Left Bank. It’s just one of a kind stuff. I think it’s going to last forever. The music is so moody and all-encompassing.”

In addition to the well-known centerpieces “Good Vibrations” and “Heroes and Villains,” Wilson created an impressionistic musical canvass that enveloped American history and humor. One track in particular, “Cabin Essence,” explored the building of the Grand Coulee Dam and the early construction of the railroad. The sections of the song are titled: “Home On The Range,” “(Have You Seen) The Grand Coulee Dam/Working On The Railroad” and “(Who Ran) The Iron Horse.” When asked about this great track Wilson stated, “’Cabin Essence’ is a poetic lyric; it’s where Van Dyke Parks describes what he means [visually] with lyrics.

Parks remembers, “We wanted to create an American fantasy. ‘The Grand Coulee Dam’ alluded to the Chinese laborers who built these railroads. They brought the railroads together with a golden spike. … We worked hard with great enthusiasm, and I think that shows in the life force of the pieces even today. … The words were not the creative department. The creative department was the music. The words were in the reactive department. I reacted to the music. The music never changed one syllable.”

The Beach Boys SMiLE sessions are considered to be the most legendary in the history of rock music. The collection is set to include both mono and stereo mixes. There is no official release date yet, but look for it to materialize in late August or early September.

© David M. Beard/All Rights Reserved

Ein Interview zum Projekt mit Mark Linett:




Beach Boys Engineer Mark Linett Talks 'Smile' Release

by Ed Christman, N.Y. | März 11, 2011 6:21 EST

While Mark Linett is a two time Grammy Award winning engineer and producer who has worked with the Red Hot Chilli Peppers, Jane's Addicition, Los Lobos and Randy Newman among others, he most closely associated with his work with the Beach Boys. For nearly 25 years, Linett has worked on the band's catalog and has produced the reissues of the entire Beach Boys catalog including the "Pet Sounds Sessions" and "Good Vibrations" box sets. He also works on Brian Wilson solo album including doing research in preperation for the 2004 release of "Brian Wilson Presents... SMiLE," for which Linett was nominated for a Grammy for best engineered recording. Here he chats about working on the SMiLE sessions, which he is producing in conjunction with long-time Beach Boy archivist Alan Body, for release later this year.

How long have you been working on the "Smile" project to get it ready for release?


In one sense I began working on it 25 years ago. I have been working with Brian Wilson and the Beach Boys catalog since 1987. We first took a quick look at the "Smile" material back in 1988 and then it was shelved again until Brian Wilson put out "Smile" in 2004. We started working on it about August or September of last year [and] doing our digital transfers last fall; even though the project hadn't been confirmed, it seemed likely. That way when the project did get a green light, we would be a way a head of the game. And we knew we would be dealing with roughly 50 separate recording sessions for the project and that doesn't even include the sessions for "Good Vibrations."

How much work have you put into it?

At this point I would say we have put in a couple of hundred hours going through the roughly 50 sessions because we want to present them in a form similar to what we did on the "Pet Sounds" box, where the sessions are condensed down to the most interesting and informative to get the fly on the wall bits to give a real sense of how this project was created.

The Beach Boys have a tremendous amount of material in their vaults. We do know of things that have gone missing over the past 40-odd years. Now that the project has the green light, we think we have a better opportunity to make sure there is nothing else out there that we haven't been able to locate because the project has never come to fruition. So one of the objects here is to make sure that everything that still exists can be a part of this project.

How much of this project was completed before it was abandoned?

We are still working on the sessions so we haven't begun assembling what would normally be considered an album, which in this case will only be a representation of where the project got before it was put aside by Brian and the group. All of the tracks were recorded. A lot of the vocals seem to not have been completed.

Brian spent a tremendous amount of time on "Heroes & Villains". [There's] even a slightly longer version of the one that was released as a single, which includes several extra sections doesn't even have to begin to encompass every variation of that song. And I should point out that the most interesting thing about "Smile" is that it took Brian's original concept, which he first used with "Good Vibrations,"-he would record the song in sections in different variations and then sort of like a jigsaw puzzle, assemble the final backing track before going on to vocals.

So Brian spent most of his time on "Good Vibrations" and "Heroes & Villains"?

"Good Vibrations," if memory serves, was recorded twice as a complete songs. After the first two sessions, he started to record pieces. They would do a verse, a chorus, a bridge at various sessions and in different ways. "Good Vibrations" was extremely complicated, I can't remember exactly how many sessions were actually used to create the final backing tracks but it was quite a few - I think there were in excess of 20 backing track sessions that were considered for that song.

I am always astounded that if you listen, as I have, to the entire recorded output on that song; and then look at what was assembled as the final backing tracks and some of the experiments that didn't get used-it was an amazing accomplishment. I am just amazed that not only was he able to put that together, but of course it was so influential and successful at the same time. And originally, the song was much more of you would describe a Wilson Pickett kind of R&B number in the chorus and that ultimately didn't get used. When he got to "Smile," "Heroes & Villains" took that a step further and recorded enormous amount of different pastiches of themes both vocally and instrumentally.

What will the changes in studio technology bring to "Smile" today?

[Brian] was doing this with very primitive technology that we now do on a daily basis with digital recordings, reusing sections and moving them around. Its interesting to surmise if he had the current technology what might have happened. It would have been so much easier to do these experiments.

The advantage that we have now is digital editing that we didn't even have in 1996 when we were editing for the "Pet Sounds" boxset; it was still on tape with razor blades. So it goes a lot faster but there is still about 20 times as much material [on "Smile"]. But that almost makes it 20 times as interesting to present that much material.


"Smile" is one of the most bootlegged albums of all time. What will be new for the listener?

For most of them, the whole thing will be new. The Beach Boys have an enormous amount of material from their whole career and [since] we have been actively doing an archive project for about 10 years, there are things that we have discovered that the bootleggers missed.

And the other important thing is bootleggers tend to present every single take... We are obviously going to use the best versions and there are things that we can do that was just technologically impossible when those bootlegs were made in the 1980's.

For example, we can put Brian's vocal back into "Surf's Up," which was a group track in the 1970s [on the "Surf's Up" album]. Brian recorded a basic track with a full band for part one. And he also recorded a sort of a demo version, its just him double-tracked and a piano track. What the band did was they used the part one backing track and tried to fly Brian's vocal into that, but the technology at the time really made that impossible. So what happened was that Carl sang the [lead] vocal and overdubs were added [forthe Surf's Up album version]. And for the second half, they used Brian's piano vocal piece and added very few additions.

With the technology we have today, its much much easier to take Brian's vocal for part one and put it onto the backing track. I have done it and its quite nice. Now we have the ability to shift time things very easily so those synchronizations can be accomplished.

Will there be one complete version of the album in the way it was presented 2004 and will that album serve as the guide line for the "Smile" Sessions track listing?
We have gaps, we have missing vocals. We aren't missing any music which is heartening. All the songs were recorded. Most of it is there. I can't be sure that we won't still come up with something because we do know that there were other things recorded, but the tapes are no longer in the group's possession. And unfortunately they may have been destroyed years ago.

We have some rough mixes from 1966, which will probably become part of the quote album. There seems to be less of that than you might expect. That also leads to believe, it really wasn't close to being finished when it was put aside to go to the next project.

If you take Brian's 2004 version as a blueprint, [it will have] all of that music, all of the significant parts and even the little segue ways. For the most part, that project was heavily researched by myself and others to make sure Brian had available all the parts that had been recorded back in 1966 and 1967. Some lyric additions were made in 2004 that hadn't been completed before the project was abandoned. That's some of the questions that we have to do deal with. How will we are going to present those few pieces. But there really aren't too many. The biggest one is the song that became Blue Hawaii, which started out as a thing called "Loved to Say Dada," which is sort of the water section of the piece. That had background but no lead vocal.

What will you do. Will you add vocals?

Don't know yet. The general consensus appears to be not to do any recording just because this is a historic piece, but its a little premature because we are still trying to get 30 hours worth of sessions down to some kind of playable length. Even at that, it will be at least 3 CD to represent the sessions.

But will you attempt to present it as an album in a certain song order?

Oh sure, we will present it probably on a single CD, and the vinyl will have to be three sides; I am not sure what the fourth side will encompass at this point. When we did Brian's version in 2004, it had to span 3 sides to fit. And there is another indication of I just don't know. I don't know if he was going to eliminate songs; it was surely never proposed than more than a single album to Capital at that time. Fortunately we don't have that restriction anymore; the CD will allow us 80 minutes which is more than enough. But we will certainly going to present the whole piece as close to it as was envisioned, or as is envisioned, as possible. Obviously, [it will be] with input from Brian as from everybody else.

Will it be in mono or stereo?

At this point I would probably say mono because that's the way Brian intended it, although the sessions will be presented in stereo. One other consideration, with some of the bonus space, we ight present at least some of the album, the stack of tracks version in stereo.

Were the Beach Boys on the tracks or was it mainly the legendary L.A. session musicians, the Wrecking Crew?

The tracks are, by and large, the Wrecking Crew. Carl is on some of the sessions; Dennis is on a few of them. And of course the vocals, there are numerous vocal sessions that are all the Beach Boys, depending on who is taking the lead, sometimes its Carl, sometimes it Dennis, sometimes its Brian. Most of the significant vocal sessions are group sessions and Brian seem to have gone back to the idea of doing the vocals with the group around one mike as opposed to doing the lead separate from the background, especially with "Heroes and Villains."

Will Paul McCartney be on the album?

If Paul McCartney is on "Vegetables," it is that version. This is one of those stories that has been told over the years and you would really have to ask somebody who was there to confirm whether Paul was there. Yes, there are two versions of "Vegetables," well there are three if you count the "Smiley Smile" version; and certainly one that will appear on the album version as well as the special version is that one Paul McCartney purportedly is participating in the vegetable crunching.

That is another point. There is versions of these songs that were not used. Brian re-recorded some of these songs again. It's clear which versions were meant for the album, but towards the end of the project he started thinking that some of these needed to be re-recorded and got as far as cutting tracks for two or three of them. And those will also be presented. There are a few extras., the song, "You're Welcome," which was the b-side of "Heroes & Villains" doesn't seem like that was ever going to be a part of the album; it didn't wind up being part of Brian's 2004 version, so that will be included in the sessions.

We are acting as the producers. But until we got something pretty well laid out, we are not going to get a whole lot of feedback from anybody. Some of these questions are hard to answer because not only haven't we assembled them yet, then this has to be played for Brian and the other members of the group and see what kind of input they have. Just because Brian did it the way he did it in 2004, [who knows if] he won't say we'll lets add, "You're Welcome," it will be a nice throwdown.

So how will you go about assembling the sessions portion of the project?

The boxset will present hopefully all of the [50] recording sessions [which comprise 30 hours] but do it in a condensed form so what the listener hears is like being the fly on the wall; so the listener hears the most important and most interesting parts musically and also the interaction between Brian and the group and the musician.

The project will be released in [...] a limited-edition boxed set containing four CDs, two vinyl LPs, two vinyl singles and a 60-page hardbound book written by Beach Boys historian Dominic Priore.

Ich bin auch total begeistert. Dazu noch diese Aussage von Mark Linett, die ich fett gepostet hab. Mann, was da auf uns zukommen wird. Hoffen wir nur, dass sie es nicht wieder alles versauen. Es sind schließlich immernoch die Beach Boys und die haben es bisher noch jedes Mal geschafft, alles zu verderben. Aber momentan scheint ja alles sehr gut auszusehen.


Ich habe übrigens versäumt, hier zu posten, dass Brian Wilson vor ca. 1 1/2 Wochen verkündet hat, er sei mit dem Disney-Album fertig. Das wird später in diesem Jahr erscheinen. Ob er jetzt Zeit hat, mit den Beach Boys zu arbeiten ?

So oder so dürfte es wirklich ein spannendes Jubiläumsjahr für die Beach Boys werden !!




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EDIT:

Ich hab mich bei youtube mal durch ein paar Fanvideos mit Smile-Musik geklickt. Dabei fiel mir folgendes Video besonders auf. Weiß jemand, woher diese unglaublichen Gesänge ab 5:25 bis 6:00 stammen? kamen mir unbekannt vor.

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